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Color

Every shape has a fill (the inside) and a stroke (the outline). Each can be a flat colour, a gradient, a pattern, nothing at all — or unset, so it inherits from its group. Colours are set in the Colors section of the Properties panel and animate like any other property.

Select an object; the Colors section at the top of the Properties panel is where every colour is set. The same picker also appears in the toolbar while a drawing tool is active, and pressing X switches the active target between fill and stroke.

  1. Fill / Stroke tabs — which of the two you are editing.
  2. Colour types — flat colour, gradient, pattern, none or unset (below).
  3. Colour wheel — hue ring with a saturation / brightness triangle.
  4. Values — HEX, and the RGB / HSL channels with A for alpha.
  5. Opacity — the alpha slider for the colour itself.
  6. Used colours — swatches of the colours already in the document (Used Colors).

The Colors section of the Properties panel, annotated 1-6: Fill/Stroke tabs, colour types, colour wheel, values, opacity, used colours

The icon row at the top of the tab sets the type of colour:

TypeMeaning
No Colorno fill / no stroke
Flat Colorone solid colour
Linear Gradientcolours blending along a line
Circular Gradientcolours radiating from a centre
Patterna repeating tile (Patterns)
Unset Colorno colour of its own — inherits from the parent group (below)
  • Wheel (hue ring + saturation/brightness triangle) or rectangular field — switch with the button above the picker.
  • HEX field (e.g. #d41a1a), or the RGB / HSL channels — switch models with the toggle above the numbers.
  • A (alpha) — the colour’s transparency, 0–100 %.
  • Swatches — the colours already used in the document; click one to reuse it (Used colours).
  • Eyedropper — pick a colour from anything on the canvas (below).

Colours follow SVG inheritance: a colour set on a group applies to every child that is unset.

Set the fill type and colour on the Fill tab. Two more settings sit in the Fill section:

  • Fill Opacity — transparency of the fill alone (the object’s own opacity is separate, see Opacity).
  • Fill Rule — how the inside of a self-intersecting or compound path is decided: Nonzero (default, by winding direction) or Even-Odd (every second overlap is a hole).

The Stroke tab sets the outline colour; the Stroke section sets its shape. Expand the section (the chevron on its right) to reach everything below the first row:

SettingOptions
Widththickness in document units
Line CapButt (flat at the end), Round, Square (flat, extended)
Line JoinMiter (pointed), Round, Bevel (cut)
Miter Limithow far a pointed corner may extend before it is cut off
Opacitytransparency of the stroke alone
Dash Arraytick it, then set Dash and Gap lengths; + adds more pairs
Offsetwhere the dash pattern starts along the path

The Stroke section: width, line cap and join, stroke opacity, dash and gap, dash offset

Tick Trim Stroke to show only part of the stroke — the basis of every “line drawing itself” animation:

  • Start / End — the visible portion, in % of the path length (0 % → 100 % shows everything). Keyframe End from 0 % to 100 % and the line draws on; keyframe Start and it erases.
  • Offset — slides the visible portion along the path without changing its length; animate it for a travelling dash or a looping progress ring.
  • Sub-Paths — for a shape made of several separate paths: separate trims each one on its own, combined treats them as a single continuous stroke.

Trim Stroke and a dash array are alternatives: tick Trim Stroke and the Dash Array row is hidden, and vice versa — the effect takes over the dash attributes it is built on.

The Trim Stroke controls: the tick box, Sub-Paths, Offset and Start/End

Choose Linear Gradient or Circular Gradient on the Fill or Stroke tab. A gradient has stops — colours at positions along it — each with its own colour and alpha.

A rectangle with a linear gradient: the gradient handles on the canvas, the stop strip, the stop position field and the gradient options in the panel

  • Stops — click a stop in the colour strip to edit it; the buttons step through stops; the bin removes the selected stop.
  • Gradient tool (G) — drag the handles on the canvas to move, rotate or stretch the gradient. For a radial gradient the toolbar’s Focal Point toggle adds a handle for the brightest point.
  • Linear optionsStart / End (direction), Position, Rotation, Scale.
  • Radial optionsCenter, Radius, Focal Point.
  • Gradient UnitsobjectBoundingBox (relative to the shape, scales with it) or userSpaceOnUse (document coordinates, shared across shapes).
  • Spread Method — what happens beyond the ends: pad (extend the last colour), reflect (mirror), repeat.

Gradient stops and geometry are animatable.

Choose Pattern on the Fill or Stroke tab and pick a pattern from the list — your own patterns first, then the built-in ones. The Pattern section then controls how the tile is placed: Translation, Rotation, Scale, and the tile grid (Tile Start / Tile Size). Pattern Fill / Stroke sets the colour of the tile’s shapes.

Creating and editing your own patterns: Patterns.

Unset means “no colour of my own”. The shape takes its fill or stroke from the nearest group above it that has one. Put the colour on the group, keep the shapes unset, and recolouring the whole illustration is one click — great for icons with a theme colour.

There are three opacities, and they multiply:

  • Colour alpha (the A slider) — transparency of that one colour or gradient stop.
  • Fill / Stroke Opacity (Fill and Stroke sections) — the fill or the stroke as a whole.
  • Object opacity (Appearance section) — the whole object, including its children. Use this one for pattern fills and for fading objects in and out.
  1. Select the object to recolour and make Fill or Stroke the active tab.
  2. Pick the Eyedropper in the Tools panel.
  3. Click any object on the canvas — its colour is copied into the active tab.

The Used Colors section at the bottom of the Objects panel lists every colour in the document — fills, strokes and gradient stops — and updates as you work.

  • Reuse — with an object selected, click a swatch to apply it to the active fill or stroke.
  • Replace everywhere — click a swatch with nothing selected and the Edit Color panel opens: its own row shows the document’s colours, the highlighted one is the colour you are changing, and picking a new one from the wheel or HEX field updates every shape using it at once — a one-click theme change.

The Used Colors swatches with the Edit Color panel open above them: the colour being replaced is selected in the panel's own row